Wednesday, March 29, 2006

The Origin of Me, Part One

My mother was a 'ho, plain and simple. How else would you describe a woman who had four children by a man that was not her husband? As some of you might have already thought - I am a bastard.

My mother was the third of five children: four girls, one boy. Was it middle child syndrome that drove her to act out to get attention? By her own accounts, she was pretty wild as a young girl. Her teen-age years were spent in the Bronx at a time when everyone was using ration coupons during World War II. I think this was the start of her less-than-scrupulous ways - if you wanted new stockings and had no coupons, you would have to trade for them, or steal them.

Her mother, Florence, a dutiful wife, had her hands full with five children; her father, Frank, was away at war. Not being under Frank's watchful eye Catherine took advantage. Like most girls of her era there was no career for her after the war; the only option was to snag a husband. I don't know that she loved Edward Gaffney, but he was a way out of her situation at home. 1947 found the 19 year old Catherine Florence Peneno married, and pregnant with her first child. I don't know what Edward did for a living, but according to my mother it was drink.

Being the good Catholic, Mom turned into a baby machine; I don't think she even knew what birth control was. Regina arrived in 1948. The twins - Patty and Kathy - in 1949. Christopher showed up in 1950. This is where it gets a little fuzzy. What I know of my mother’s story is bits and pieces, some of it confirmed, some of it conjecture. My mother once alluded to a back room abortion in 1951. We never really discussed that. At first, she said that Edward had pushed her off of a ladder and she lost the baby. The first story is probably the true one.

Edward faded out of the picture some time around then. I met the man once, years later. He seemed nice enough, and definitely looked worn out by a lifetime of drinking. My sister, Regina, took me on a pilgrimage to New Jersey to meet her father, whom she hadn't seen in quite some time. He was remarried, had other children. I wonder what makes a man abandon one family for another. It wasn't like he was that far away.

How my mother got through the next few years, I do not know. I think she mentioned moving home for some time. One of her sisters, Terry, had married a local boy named Tommy and he had a friend named Salvatore Marinelli. My mother had known Sal even before she met Edward. Sal was a neighborhood goon - worked for the local mob doing collections. I'm sure he must have been cute and charming; he looks it in his pictures. He once told me he didn't serve during WWII because both of his legs were broken (I wonder if that was "work" related).

He and my mother became friends, then quickly became lovers. In 1952 she was pregnant again, but this time with Sal's child - even though she was still technically married to Edward, and Sal was still very much married to Rose (they had a 5 year old girl running around their one-bedroom apartment in the Bronx). Over the next year, Kay - a nickname that most everyone knew her by - moved out of her mother's apartment and Sal was helping her make ends meet. She was having enough trouble with 4 kids and now number 5 was on the way. Sal had an unusual proposition: he and Rose would raise the child.

The thought of it is staggering. This is 1952. Kay was an adulterer. Her family disowned her. There was to be no contact with her parents, or her siblings. Her father insisted on it. Kay was distraught; her family was all she had. Sal was still living with Rose.

How Sal approached Rose is beyond me. My heart goes out to Rose. Faced with the loss of her husband, she does the one thing she thinks might keep him around: raise his child by another woman.

My mom decides to name the new baby girl Theresa after one of her now estranged sisters. Rose takes the baby in, with the understanding that Kay would never take her back - or let Theresa know she was her birth mother. And Sal would promise to stop seeing Kay. Both women made their sacrifices, with both thinking they would be the one to keep their man.

Tuesday, March 28, 2006

Top Ten Movies of 2005 (of the ones that I have seen)...

10. Star Wars III: Revenge of the Sith: How could it not be on here? Definitely the best of the "new" trilogy. It ended (began?) on a satisfying note.
9. A History of Violence: David Cronenberg's disturbing look at the power of violence.
8. The Chronicles of Narnia: The Lion, The Witch & The Wardrobe: I had never read the books as a child, so this was all new to me. Visually impressive. Endearing storytelling.
7. Munich: Spielberg's absorbing thriller; his finest film since Saving Private Ryan.
6. Charlie & The Chocolate Factory: Tim Burton went back to the book, and created a remake that was better than the original.
5. Walk the Line: Great performances. Great music. Great couple.
4. March of the Penguins: What a beautiful movie. Heartbreaking, fascinating and real. Definitely makes you glad you are not a penguin. You'd never believe it was a documentary. (And even the original French documentary - which is on the DVD - is worth a look.)
3. Batman Begins: Christopher Nolan reinvents Batman for another generation. Makes Tim Burton's 1989 attempt seem like a dated... well... comic book.
2. Capote: Truman Capote's riveting journey to the creation of his non-fiction novel In Cold Blood. Compelling. Haunting.
1. Brokeback Mountain: Every gay man in America should own this movie. A classic romance. I was crying the entire last 30 minutes. Not to be missed.

Movies I haven’t seen that might change this list: Memoirs of a Geisha, MatchPoint, Syriana. I will update this list as I see more films from 2005.

Movies I’ve seen that didn’t make this list: Good Night and Good Luck, Cinderella Man, North Country, Mrs. Henderson Presents, Junebug, Tim Burton’s Corpse Bride, Enron: The Smartest Guys In The Room, Wallace & Gromit in The Curse of the Were-Rabbit, Wedding Crashers, Mr. & Mrs. Smith, Hitch, The Fantastic Four, Robots, Bewitched, The War of the Worlds, The Constant Gardner, Pride & Prejudice, The Squid & The Whale, Breakfast on Pluto, Howl's Moving Castle.

The bottom five (again, of the ones I’ve seen):
5. Crash: no movie annoyed me more than this one. It's contrived. Preachy. Erik Lundegaard of MSNBC said: "Yes, we all bear some form of racism — that’s obvious. Yes, we all 'stereotype' other races in some fashion — that’s obvious. But, no, we don’t easily give voice to our racist sentiments. And that’s why the film rings so false." I couldn't agree more.
4. Rent: Go to Broadway and see the play!
3. King Kong: I REALLY wanted to love this movie. Peter Jackson's remake of the 1933 classic is a monster in every sense: spectacular, clumsy, hilarious, ludicrously self-indulgent, terrifying, overly melodramatic and every single scene is waaaaaaaaaay too long. Give me the scissors, there's a great movie in there waiting to get out!
2. The 40 Year Old Virgin: Purile. Had one laugh out loud moment. But I saw it on DVD and not in a room of 12-year-olds laughing hysterically. That would have helped it.
1. Madagascar: Is this the future of animated movies? God, I hope not. Big names voices with a cookie-cutter script. Not one redeeming moment.

Monday, March 27, 2006

The beauty that is NetFlix...

I LOVE NetFlix. I've been a subscriber for two years, and in that time I have seen quite a few DVDs. One drawback: It can be exasperating when you can't get a movie you'd like to rent (this especially happens the week a new DVD is being released and then - depending on the DVD - you won't get it for weeks after). THE worst thing is seeing Long Wait next to one you've selected. I've figured out a way to get the movie that first week: return a DVD on Friday.

Your returned DVD arrives to NetFlix on Monday. Even though NetFlix says the DVD you want is being released on Tuesday, they invariably have it on Monday. VOILA! You have circumvented the system.

For those of you unfamiliar with NetFlix: you pay $17.99 a month. You can have three DVDs out at a time. When you return one, they send you the next available DVD on your list. No late fees. No going to the store. They have a huge selection. Obscure titles. Foreign films. A great gay inventory. Every DVD is in letterbox format (when available).

It is well worth the money. Especially when you consider a premium channel runs about $10 a month. Typically I watch about 9-12 movies in a month. When was the last time there were 9 movies in a month on HBO that were worth watching? Yes, I know. Alla you Sopranos freaks wouldn't want to wait 6 months to find out who shot Tony. So you makes your choices.

So, every week, I will be discussing the three NetFlix from the previous week. This week: Enron: The Smartest Guys in the Room, The Squid & The Whale and The Aristocrats.

Enron: The Smartest Guys in the Room: Fascinating. A well-made documentary from the book of the same name, about the Enron collapse and how our government allowed a company as big as Enron to play footsies with the numbers, fool all of their investors, and basically ruin the lives of almost everyone involved. Told in a chronological fashion, the film has incredible access to video and audio from the Enron case (can it all be public domain?). They talk to execs and workers, investors and pundits. All of the executives that were arrested end up speaking for themselves in clips, but there are no new interviews with them (I'm assuming they can't really talk about the case). Sad for the poor, unsuspecting workers (all of whom lost most of their precious 401K accounts) and outside investors (who saw their investments dwindle to nothing). There's obviously more to be told on this story (many lawsuits are still pending, as are some of the criminal cases), but what's here will keep you interested. *** (out of 4).

The Squid & The Whale: A semi-autobiographical account of director Noah Baumbach's eccentric family deteriorating in 1980s Brooklyn, the film always rings true. It manages to side-step clichés, has some fine performances and - at times - is achingly funny.

Jeff Daniels should really be a bigger star than he is; he certainly has tried. He has stooped low enough to be in Dumb & Dumber, so he does appreciate how being in a commercial film can help to keep your artistic ones viable. His performance here makes you hope he really doesn't HAVE to do that new movie about The Three Stooges. His Bernard is a fully realized characterization, a once appreciated "fringe" novelist who is now between agents, but has no problem acting like his opinions are the only ones that matter. Laura Linney, as his just-as-Bohemian wife, goes the de-glam route and plays a woman who is trying to attain some status next to her husband's fading star, as she discovers a writing talent of her own. As the two drift apart, their two sons feel the consequences. Jesse Eisenberg and Owen Kline, as the sons, bring an unusual poignancy to their roles as each of them act out in their own ways, as a response to the unwanted change in their lives.

Where does the title come in? Well, you tell me. In the last moments of the film, the older son runs across town to the Museum of Natural History. He first goes to look at the squid and then he goes to look at the whale. My guess is they represent his larger-than-life parents, but if anyone knows WHY, please let me know. ***1/2* (out of 4)

The Aristocrats: Interesting idea. I had never heard of the joke that is the basis for this documentary. The basic concept: A family act walks into an agent's office. They proceed to tell him what kind of act they perform. This is where the comics do their own brand of riffing. They improvise what the act entails, and no subject is too foul to be off limits: incest, group sex, feces and bodily fluids are flung about in many an unusual manner. When they are done, the agent asks "What do you call yourself?" The fellow says, "The Aristocrats." BIG laugh.

There are about 75 comics that appear, and they were filmed and directed by two of them: Penn Jillette and Paul Provenza. These 75 comics (most of them recognizable) tell the origins of the joke, dissect the joke, and some even tell it (but some won't). I did laugh. At some more than others. But after about a half hour, I kinda felt like I heard enough. **1/2* (out of 4)

One more thing: NetFlix also helps you discover new movies! As you rate each movie you've seen (on a 1 to 5 scale), they make other recommendations based on your reviews. They also list what the most rented DVDs are by its members, and even have lists by genres, awards, etc. You shouldn't have any trouble finding something to pique your interest.

Friday, March 24, 2006

Everybody's blogging!

So I thought I'd try one... More to follow.